0000-0002-1362-9970 About
Aloy Deb Barma is a film and media studies doctoral research fellow in the Department of Mass Communication, School of Economics, Management and Information Science at Mizoram University in Aizawl, India. His works have appeared in journals including the Journal of Film and Video and Studies in South Asian Film & Media, and in an edited volume published by Springer. He is also the co-author of Cinema as Art and Popular Culture in Tripura: An Introduction, published by Tribal Research and Cultural Institute. His scholarship focuses on gender and identity, disability studies, film style and aesthetics, visual anthropology, and Indigenous and peripheral cinemas of the Global South.
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Publications (11)
- Margins vis-à-vis Misrecognition: Intersectional Vulnerabilities of Women Journalists in Northeast India Save
- The Unspeaking or the Refusal to Speak? Silence and the Indigene in New Wave Kokborok Cinema Save
- Singing Kokborok, dancing Bollywood: Neo-Bollywoodized Tripuri identities and indigenizing the global in contemporary Kokborok music videos Save
- Talking Back through Peripheral Visions and Negotiating Identity: Kokborok and Bengali Films and Music Videos in Tripura Save
- Deconstructing Heroism in Kantara: Between Paradoxes of Masculinity, Power, and Cultural Celebration Save
- Performing Patriarchy, Perpetuating Rape Culture: Architecture of Desire and Scopic Regimes in Bollywood Videos Save
- Reading the Refracted Identity of Disability in Tripuri Cinema: Politics of Representation and Identity Negotiations Save
- Talking Back through Peripheral Visions and Negotiating Identity: Kokborok and Bengali Films and Music Videos in Tripura Save
- Emerging from Challenges: A Look at the Kokborok Film Industry's History and Hurdles Save
- Cinema as Art and Popular Culture in Tripura: An Introduction Save