AN
Arindam Nandi
Also known as: Arindam Nandi
Amity University, Indian Institute of Technology Madras Department of Humanities and Social Science, Indian Institute of Technology Madras, University of Calcutta, Seth Anandaram Jaipuria College
0000-0002-3744-9341
Employment
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Amity University Assistant Professor - I2026 - Present
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Indian Institute of Technology Madras Department of Humanities and Social Science PhD Scholar and Part-time Research Assistant2021 - Present
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Indian Institute of Technology Guwahati Department of Humanities and Social Sciences PhD Scholar and Part-time Research Assistant2021 - 2021
Education
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Indian Institute of Technology Madras PhD2021 - Present
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University of Calcutta M.Phil2018 - 2020
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University of Calcutta M.A.2015 - 2017
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Seth Anandaram Jaipuria College B.A.2011 - 2014
Projects & Funding
Projects & funding information is unavailable.
Publications (21)
- “Why can’t I be out there with her?”: negotiating isolationism through the face-to-face relation towards an authentic being-in-common in Will McPhail’s In. Save
- “Maybe I'm immune”: the twofold precarity of the asymptomatic HIV carrier in Will Self’s Dorian, an Imitation Save
- ‘Doors that could take you anywhere’: interstitiality, immunopolitical governmentality, and sustainable nomadic communities in Mohsin Hamid’s Exit West Save
- “Undoubtedly a race, but they are not human”: Immuno-politics and the Recognition of the Jew as Pathogenic Nonself in Art Spiegelman’s Maus Save
- “You Were Made as Well as We Could Make You”: Posthuman Identity Formations in James Cameron’s Terminator Dilogy, Ridley Scott’s Blade Runner, and the Wachowski Brothers’ the Matrix Trilogy Save
- “And Then It Spreads”: contagion and disease as metaphors of sociomoral contamination in Charles Burns’ graphic novel Black Hole Save
- “I was not her protector. She was mine...”: Trauma, Immunology, and the Poetics of Friendship in Jonathan Entwistle and Charles S. Forsman’s Netflix Drama The End of the F***ing World Save
- "A City Shaped by Germs": Viral Biopolitics and The Laughing Disease in Ilze Hugo's The Down Days Save
- Post-Anthropocentric Futures: Rootlessness and Liquid Identities in George Miller’s Mad Max: Fury Road, Steven Soderbergh’s Solaris, and Christopher Nolan’s Interstellar Save
- "It was not a story to pass on": Metaphors of Crisis, Gulit, Trauma and Forgetting in Toni Morrison's Beloved Save