0009-0002-2171-2800 About
Marta Vakhtina is a multi-faceted person of art, a former professional classical ballet dancer, a philosopher of art, an interdisciplinary researcher, and an Honorary Member of the International Academy of Contemporary Arts. Having interpreted cornerstone masterpieces of the classical repertoire—most notably the iconic role of Odette in Swan Lake—she channels the principles of choreographic grace, fluid movement, and spatial geometry directly into her current pictorial and cinematic works. For Vakhtina, the entire creative process unfolds as a poetic dance upon the canvas.Her unique research-creation paradigm is guided by an absolute, overarching quest for beauty and purity in all manifestations of life, thought, and creation. Driven by a profound commitment to universal humanism, she seamlessly integrates the aesthetics of dance, semiotics, philosophy, and cinema to investigate sacred symbology and the metaphysical structures of human culture. Her work operates on the conviction that restoring historical truth is vital for contemporary spiritual progress and the awakening of human consciousness.A central focus of Vakhtina’s scholarly pursuit is the philosophy of the sacred and the examination of ontological truths through primary sources. Her investigation involves the meticulous direct study and semantic decoding of ancient manuscripts, scrolls, and texts—specifically focusing on Aramaic traditions and the intellectual legacy of Leonardo da Vinci. Through this deep archival analysis, she explores how primordial information undergoes systematic distortion over time, striving to reclaim the original purity of knowledge. This path of investigation informs her academic texts, including her research on the Metaphysics of the Cocoon, as well as her authorship of original philosophical narratives.In her cinematic and visual projects, she employs sacred geometry, cinematic grammar, and complex color vibrations to explore the symbolic reconstruction of the Lost Paradise—a Garden of Eden representing absolute order and primal harmony. Utilizing spiral motifs and delicate pastel gradients as instruments for deep contemplation, her art bridges the material and the spiritual. This global, integrated approach has garnered significant international acclaim, marked by official accreditation at the Cannes Film Festival for her short film and a solo exhibition at the prestigious Carrousel du Louvre.
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Publications (11)
- Le Vaisseau de Lumière : Le code secret du « Camaleonte » chez Léonard de Vinci (Codex Arundel 13) et la métaphysique du Sefer Yezirah Save
- La Transfiguration du Silence : L'Éclosion de la Fleur Éthérée du "Domus Salis" (3Q15) Save
- Conceptual Architecture of an AI-Driven Micro-Learning Simulator for Cognitive Risk Management and Ethical Education in Schools Save
- L'Harmonie comme Fondement du Mouvement : Révéler le Potentiel Humain Unique et la Beauté Saine grâce à la Biomécanique Individualisée de la Danse Save
- Le Flux de l'Esprit : le code secret du « Milan » chez Léonard de Vinci et la métaphysique du Sefer Yezirah Save
- Le génie optique d'Antonio Claudo : La dynamique tridimensionnelle du clair-obscur dans l'art sacré du XIXe siècle Save
- THE ACTIVATED GLYPH: TOPOLOGICAL AND ONTOLOGICAL SUBSTITUTION OF THE LETTER ALEPH (א) BY THE INFINITY MATRIX (8) Save
- The Metaphysics of the Cocoon: Decoding the Sephirotic Dialectic and Biocentric Metamorphosis in Marta Vakhtina's Diptych "The Birth of Shoshanta" Save
- The Paintings of Marta Vakhtina as a Structural Algorithm and Visual Key for AI Ethics Alignment Save
- The Renunciation of Beatrice: The Desecration of Femininity as a Rejection of the Sacred Save